Publications

Imágenes milagrosas y cultura visual en el siglo XIII

€ 9.00
Author: Murcia Nicolás, Fuensanta
ISBN: 978-84-15072-93-5
Year: 2016
dimensions (mm.): 210x140
Weight (Kg.): 0.19
Number of pages: 96
Languaje: es
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Labels: Románico
Publications
El siglo XIII fue un momento convulso y revelador para la problemática de la imagen; tras largas disputas entre partidarios y detractores, las imperantes necesidades devocionales y los debates teológicos aportaron el sustento argumental para legitimar su estatus. Dentro de esta historia de las imágenes, las colecciones de milagros han permitido comprender su construcción cultural tanto a nivel escrito como visual, puesto que formaron parte de los programas iconográficos bajomedievales. En dicho punto de inflexión surge la figura de Gautier de Coinci (1177-1236) que, movido por su fervor personal y el afán de adoctrinamiento de los fieles, escribe Les Miracles de Nostre Dame, una obra ampliamente copiada en la época e ilustrada con abundantes miniaturas.
Description

Introducción. 

Les Miracles De Nostre Dame Y Las Imágenes Medievales.

 

Los Estudios Visuales han ampliado los horizontes intelectuales de la Historia del Arte; la imagen ha dejado de ser sólo una forma para convertirse en el epicentro donde confluyen los rasgos, elementos o inquietudes de la sociedad que las contemplaba. Bajo esta perspectiva metodológica, la relación entre cultura escrita y cultura visual ha generado una amplia historiografía en torno a las imágenes medievales, donde la mirada no se centra en su mera condición de objetos artísticos sino en los usos y funciones que desempeñaban. El siglo xiii fue un momento convulso y revelador para la problemática de la imago; tras largas disputas entre partidarios y detractores, las imperantes necesidades devocionales y los debates teológicos aportaron el sustento argumental para legitimar su estatus. Dentro de esta historia de las imágenes, las colecciones de milagros han permitido comprender su construcción cultural tanto a nivel escrito, por recoger la relación con el prototipo a través de lo sobrenatural, como a nivel visual, puesto que formaron parte de los programas iconográficos bajomedievales. 

 

Índice.

 

Introducción. Les Miracles de Nostre Dame y las imágenes medievales.

 

Capítulo 1. “De sabios es honrar a la santa Iglesia y sus imágenes”. La devoción a las imágenes en Les Miracles de Nostre Dame.

La nueva imagen gótica.

Gautier de Coinci y la defensa de la imagen.

 

Capítulo 2. “Saludar a Nuestra Señora delante de su imagen”. El tránsito bizantino y la sacralidad de la imagen.

Las dobles imágenes y la relación imagen - prototipo.

La yuxtaposición de escenas y la mediación de las imágenes.

 

Capítulo 3. “Pero Nuestra Señora que estaba presente en su imagen”. El prototipo encarnado e imágenes vivientes.

La imagen apotropaica: Aqueropitas y Palladia.

Las imágenes vivientes: censura y exaltación.

 

Epílogo.

 

Bibliografía. 

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