Publications
Start _ Shop _ Publications _ (CODEX AQUILARENSIS Nº 38). El equipamiento del altar medieval. De la…
El altar mayor constituye el epicentro ritual, espiritual y, casi siempre, material y emocional de toda iglesia. Su instalación en el presbiterio mayor comportó la generación de una escenografía cargada de significación, que deslindaba ese lugar de otros del espacio eclesiástico, incluidos los ámbitos de los altares secundarios (transepto, naves o tribunas). El propósito de los promotores eclesiásticos era, ante todo, revelar y ensalzar los santos titulares y la Divinidad y, en ocasiones, identificar heráldica o escriturariamente al ideólogo de la obra.
Esta publicación propone una comprensión más razonada de los contextos físicos de los ábsides mayores y de los lugares de los altares secundarios, en un escrutinio simbiótico con los equipamientos artísticos destinado a guarnecer los altares y sus entornos inmediatos. Los análisis sobre la materialidad de las estructuras arquitectónicas y los dispositivos visuales se trenzarán con una comprensión fenomenológica de las obras y litúrgica de los ritos y devociones estipulados. Metodológicamente, se propone una explicación satisfactoria en torno a cómo se integran los elementos materiales y los fenómenos intangibles. Además, se postula el ‘decoro visual’ como sistema integrado prolífico y epifánico, convocado para manifestar y celebrar los misterios divinos y aglutinar las reacciones humanas ante ellos.
Una encrucijada forzosa. Las innovaciones litúrgico-arquitectónicas de los templos del reino de Asturias ca. 750-830
A Forced Crossroad. Liturgical and Architectural Innovations in Asturian Kingdom’s Churches ca. 750-830
César García de Castro Valdés
Exposer à l’autel: conversion des matières, conversion des regards
Exposing at the altar: material conversion, conversion of the gaze
Pierre Alain Mariaux
Les trois images canoniques du Christ dans le décor des autels médiévaux et leurs rapports avec la liturgie eucharistique (VIIIe-XVe siècles)
The Three Canonical Images of Christ in Medieval Altar Decoration and Their Relationship to the Eucharist Liturgy (8th-15th Centuries)
Marcello Angheben
Circumdabo altare tuum Domine. Conjuntos de antipendios y laterales de altar pintados en Catalunya, siglos XII-XIV
Circumdabo altare tuum Domine. Sets of the Frontal and Side Altar Panels painted in Catalonia, 12th-14th Centuries
Marc Sureda i Jubany
Figurative language in Abbot Suger’s reflections on the main altar of Saint-Denis: colors and gems, materiality and light
El lenguaje figurativo en las reflexiones del abad Suger sobre el altar mayor de Saint-Denis: colores y gemas, materialidad y luz
Alberto Virdis
Altar as Atelier in the Middle Ages
El altar como taller artísticos en la Edad Media
Aden Kumler
Imágenes sobre el altar: iconografía y simbolismo en las claves de bóveda de la diócesis de Tarragona (1150-1350)
Images on the Altar. Iconography and Symbolism in the Keystones of the Diocese of Tarragona (1150-1350)
Xènia Granero Villa
De Compostela a Toledo: decoraciones de altar de los siglos XII, XIII y xiv en los estados occidentales de la península ibérica
From Compostela to Toledo: Altar Decorations from the 12th, 13th and 14th Centuries in the Western States of the Iberian Peninsula
Fernando Gutiérrez Baños
Herod and the Orant Queen: The Archaeological Discoveries in the Cathedral of Santiago, and its medieval Stone Choir
Herodes y la Reina orante: los descubrimientos arqueológicos en la catedral de Santiago y el coro del Maestro Mateo
Francisco Prado-Vilar
El sagrario en el equipamiento del altar medieval en la corona de Castilla. Algunas reflexiones metodológicas
The tabernacle as part of the altar equipment in the crown of Castile.
Some methodological reflections
Aintzane Erkizia Martikorena
Evoking the Altar in the Eclectic Museum
Evocaciones del altar en un museo ecléctico
Julia Perratore
La sillería coral de Santa Clara de Moguer: una propuesta de reconstrucción estructural a partir de las evidencias materiales y del análisis comparativo
The choir stall of Santa Clara de Moguer: a structural reconstruction proposal from material evidences and the comparative analysis
Voravit Roonthiva
José Alberto Moráis Morán, María Dolores Teijeira Pablos (coords.). Academia, educación e innovación en la historia del arte medieval. Granada: Editorial Universidad de Granada, 2020, 231 pp. [Antonio Ledesma]
Stefano Riccioni, The Visual Experience of the Triumphant Church: the Mosaic of S. Maria in Trastevere (Monumenta Mediaevalia, 1), Scienze e Lettere, Roma, 2021, 185 pp., 70 figs. [Marc Sureda i Jubany]
Iban Redondo Parés, El mercado del Arte entre Flandes y Castillas en tiempos de Isabel I (1474-1504). [Isabel Escandell Poust]
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