Publications

(CODEX AQUILARENSIS Nº 37) . (In)sights regarding Medieval Art / Una mirada perspicaz al arte mediev

€ 40.00
Author: VV.AA
ISBN: ISSN: 0214-896X eISSN 2386-6454
Year: 2021
dimensions (mm.): 24x17
Weight (Kg.): 1.500
Number of pages: 592 + ils. color
Languaje: es
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Publications
Tributo a Herbert L. Kessler
Description

Este número especial de Codex Aqvilarensis. Revista de Arte Medieval es un merecido homenaje al Profesor Herbert Leon Kessler en honor a su ochenta cumpleaños, cumplido en 2021. Kessler, académico reconocido mundialmente como una de las figuras más egregias e inspiradoras de la historiografía de la historia del arte medieval en las últimas décadas, ha producido un vivificante impacto intelectual en una amplísima nómina de investigadores, tanto en Estados Unidos y Canadá como en Europa. Habida cuenta de que el Prof. Kessler se ha comprometido plenamente con el desarrollo de las sucesivas ediciones del coloquio Ars Mediaevalis desde 2012, así como en la elaboración de esta revista desde su número 28, es de justicia tributarle nuestra gratitud y reconocimiento a través de esta colección de ensayos inéditos que se presentan en las siguientes páginas. Articulados en diferentes secciones, se ofrece aquí una treintena de estudios en torno a la teoría y la historia de la imagen y los lugares sagrados medievales. 

 

 

Introducción

 

Herbert L. Kessler – Curriculum Vitae

I. Pensar con imágenes en la Edad Media: Desvelar procesos visuales y narraciones plásticas / Thinking with images in the Middle Ages: Unveiling visual processes and narratives

  • Hamburger, J. F.,“The Triple Essence of the Visual Process”, or Thinking with Diagrams in the Middle Ages and Modernity/“La Triple Esencia del Proceso visual” o Pensar con Diagramas en la Edad Media y la Modernidad
  • Schmitt, J.C., Animal Farm: une image du tabernacle de Moïse dans la Bible historiale de Guiart des Moulins (BnF, Français 9, fol. 63r, vers 1412-1415)/Animal Farm : una imagen del tabernáculo de Moisés en la Bible Historiale de Guiart des Moulins (BnF, Français 9, fol. 63r, c. 1412-1415)

II. Miradas penetrantes sobre las iluminaciones de manuscritos altomedievales / Insightful looking at Early Medieval Manuscript Illuminations

  • Kumler, A., Where your treasure is, there is your heart also: a Kesslerian view from the Soissons Gospels/Donde está tu tesoro, también allí está tu corazón: una visión Kessleriana a partir del Evangeliario de Soisson
  • Poilpré, A.O., La Passion du Christ sur les livres carolingiens : visualiser les temps et rythmes de l’histoire du Salut/La Pasión de Cristo en los libros carolingios: visualizar los tiempos y ritmos de la historia de la Salud
  • Kitzinger, B., Scriptural Time and Painted Text in the First Bible of Charles the Bald/Tiempo escriturario y texto pintado en la Primera Biblia de Carlos el Calvo
  • Debiais, V., Une théologie de l’informel : le pli et son ombre dans le bénédictionnaire d’Æthelwold/Una teología de lo informal : el pliegue y su sombra en el Benedicional de St. Æthelwold
  • Dell’Acqua, F., An Image of Authority. The Ivory Plaque with the Enthroned Virgin from Aachen, c. 800-810/Una imagen de Autoridad. La placa de marfil con la virgen entronizada de Aachen, ca. 800-810
  • Angheben, M., De la recension Cotton à la tradition septentrionale. Déconstruction et reconstruction d’une généalogie séculaire/De la recensión Cotton a la tradición septentrional. Deconstrucción y reconstrucción de una genealogía secular

III. Receptáculos de lo sagrado: presencia tangible y evocación cultual /Framing the Sacred: Tangible Presence and Cultic Evocation

  • De Blaauw, S., The altarsteps of St. Peter's and the Vatican Basilica as an architectural model/La escalera del altar de San Pedro y la basílica vaticana como modelo arquitectónico
  • García de Castro Valdés, C., Diseño, tecnología y significado: sobre un tipo de carpintería de relicarios en la Alta Edad media/Design, Technology and Meaning: On an early medieval woodworking technique for reliquaries
  • Sureda i Jubany, M., Santa Maria la Rodona: forma, usos e imagen medievales del culto mariano en Vic/Santa María La Rodona: Medieval Form, Uses, and Image of the Virgin Worship in Vic
  • Bacci, M., Cross Imagery and the Setting of the Golgotha Chapel in the Pre-Crusader Period/La imaginería de la Cruz y la escenografía de la capilla del Gólgota antes del periodo cruzado

IV. El compromiso de los espectadores medievales hacia las imágenes / Medieval Audience engagement toward images 

  • Riccioni, S., Sperimentare, emozionare, educare. Per una teoria dell’arte durante la Riforma ecclesiastica dei secoli xi e xii/Experimentar, emocionar, educar. Una teoría del arte durante la refomra eclesiástica de los siglos xi y xi

V. Per visibilia: concreciones pictóricas de lo invisible / Per visibilia: Pictorial Formulations for the Invisible

  • Foletti, I., The Tangible and the Invisible: from Faces to Concepts, and to Malevich/Lo tangible y lo invisible, de los rostros a los conceptos, y a Malevich
  • Gertsman, E., Faithful Abstraction: Withdrawals and Simulacra in Late Medieval Nacre/Abstracción fiel: Extracciones y simulacros en el nácar bajomedieval
  • Pentcheva, B.V., Imagining the Sacred in Virtuoso Chant and Dance: The Music of Ste Foy and the Dancer/Singer of Almiphona (Paris, BnF MS Lat. 1118, fol. 114)/Imaginar lo sagrado en el canto y la danza virtuosos: La música de Sainte Foy la bailarina/cantante de Almiphona (Paris, BnF MS Lat. 1118, fol. 114)
  • Fricke, B., Wisdom’s Creation: A Double Beginning in the Stammheim Missal (1160-1170)/La Sabiduría creadora: un doble comienzo en el misal de Stammheim (1160-1170)
  • Sánchez Ameijeiras, R., From the end to the Beginning: Time, Movement and Cosmology at the Dawn of the Gothic/Del final al principio: tiempo, movimiento y cosmología en los comienzos del gótico

VI. Apertura de miras: relecturas de la creación de imágenes / Gaze Opening: Reviewing Imagemaking

  • Pastan, E.C., The Curious Case of the Prostitutes’ Window/El curioso caso de la ventana de las Prostitutas
  • Kroesen, J., Nordic, and European. The Relic Shrine from Filefjell (Norway), 1230–1250/Nórdico y Europeo. El relicario de Filefjell (Noruega), 1230-1250
  • Palazzo, E., Anachronic Limitations: A Medieval Reflection on the Scuola di San Giorgio degli Schiavoni/Limitaciones anacrónicas. Ecos medievales en la Scuola di San Giorgio degli Schiavoni
  • Müller, R., Landschaft und religiöses Sujet in der venezianischen Malerei 1440/50/Paisaje y temática religiosa en la pintura veneciana 1440-1450
  • Pinkus, A., Experiencing the Gigantic in Late Medieval Art/La experiencia de lo gigantesco en el arte Tardomedieval
  • Hindman, S., Medieval Iconographic Rings: Constructing a Cultural Context/Anillos iconográficos medievales. La construcción de un contexto cultural
  • Iafrate, A., Medieval Treasure Guides: An Unexplored Genre/Guías del Tesoro Medieval: un género inexplorado

VII. Arrumbar los perímetros historiográficos / Breaking Down Historiographical Perimeters

  • Chazelle, C., Slavery, Race, Empire: Eighteenth- and Nineteenth-Century Representations of Gregory with the English Slaves/Esclavitud, Raza e Imperio: San Gregorio con los esclavos anglos en representaciones de los siglos xviii y xix
  • Elsner, J., Art, Religion and Narrative: A Comparison of Early Christian and Early Buddhist Indian Art/Arte, religión y narración. Una comparación del Primer arte cristiano y el temprano arte indio budista
  • Kupfer, M., Nails and Blacksmiths in Ethiopian Art (13th–19th centuries)/Clavos y herreros en el arte etíope (siglos xiii-xix)

VIII. Imágenes metafóricas: traslación hacia una verdad más vigorosa / Metaphorical Images: Translation towards a more vigorous truth

  • Didi-Huberman, G., Brouillards de peine et de colère /Nieblas de dolor y cólera

Tabula Gratulatoria

 

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